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March 23, 2026 Samini Secures 5 TGMA Nominations as ORIGIN8A Album Makes Strong Impact

Samini Secures 5 TGMA Nominations as ORIGIN8A Album Makes Strong Impact

Samini celebrates achievements and collaborations

Ghanaian reggae and dancehall icon Samini has secured five nominations at the 27th edition of the Telecel Ghana Music Awards (TGMA), following the success of his latest album ORIGIN8A.

The nominations highlight the continued relevance of the veteran artist, with ORIGIN8A proving to be one of the most impactful projects in Ghana’s music scene over the past year.

Samini’s nominations come from two standout singles released from the album during the year under review:

  • Record of the Year – “CHAANA”
  • Best Music Video – “CHAANA”
  • Best Reggae/Dancehall Song – “SUMMER KING”
  • Best Reggae/Dancehall Artiste – Samini
  • Audio Engineer of the Year – “CHAANA” (Produced by Francis Kweku Osei)

These nominations reflect both the artistic and technical strength of the project.

Released on 13 March 2025, “CHAANA” quickly emerged as one of the standout songs from ORIGIN8A.

The track features the internationally acclaimed Soweto Gospel Choir and blends Afro-pop with African dancehall influences, delivering a powerful message of African pride and unity.

Its global appeal and high-quality production helped secure multiple award nominations, including recognition for sound engineering.

The second single, “SUMMER KING,” released on 24 July 2025, has also gained strong traction among reggae and dancehall audiences.

The track has become one of the most popular releases in the genre over the past year, reinforcing Samini’s dominance in Ghana’s dancehall space.

The ORIGIN8A album represents a major milestone in Samini’s career, blending elements of Highlife, Afrobeats, Amapiano, Afropop and reggae.

The project also features collaborations with artists he has mentored over the years, including:

  • Stonebwoy
  • Kofi Kinaata
  • Kaakie
  • Mugeez

This reinforces Samini’s influence in shaping the next generation of Ghanaian music.


Countdown to TGMA 2026

The Telecel Ghana Music Awards, organised by Charterhouse Productions, remains the most prestigious awards platform in Ghana’s music industry.

With five nominations already secured, attention now turns to whether Samini will convert this recognition into major wins on the night.


With ORIGIN8A gaining critical and commercial success, Samini continues to prove that longevity, evolution and influence remain key pillars of his career.

As TGMA 2026 approaches, fans will be watching closely — but one thing is already clear: Samini is still a major force in African music. 

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March 23, 2026 Afroman Drops “Batterram Hymn” Video as Viral Police Raid Case Sparks Debate

Afroman Drops “Batterram Hymn” Video as Viral Police Raid Case Sparks Debate

Afroman Batterram Hymn: New Video Sparks Debate Over Viral Police Raid Case

NEW VIDEO — US rapper Afroman is back in the spotlight after releasing a controversial new track and video titled “Batterram Hymn of the Police Whistleblower”, as his ongoing legal battle with law enforcement continues to fuel viral conversations online.

The song, taken from his upcoming album “Freedom of Speech,” is already generating buzz across social media, with fans reacting to its bold lyrics, real-life references, and unfiltered storytelling.


 

The newly released video — now streaming on YouTube via OGAfroman — revisits the now-viral police raid on Afroman’s home, which sparked widespread debate after footage from his own security cameras surfaced online.

The visuals include dramatic reenactments and clips inspired by the incident, with Afroman directly addressing the officers involved — particularly one officer featured emotionally during court proceedings.

The rapper doesn’t hold back.

In the track, he questions the actions of the officers during the raid, referencing claims that:

  • Officers entered his home and confiscated money
  • Security cameras were allegedly disconnected
  • Personal items — including his now-infamous lemon pound cake — were handled during the search

 

⚖️ The Court Case Behind the Music

The controversy stems from a real-life police raid that took place at Afroman’s property in Adams County, Ohio, which later went viral after the artist used his own surveillance footage in music videos and online content.

Following the incident, several officers reportedly filed a lawsuit against the rapper, alleging emotional distress and invasion of privacy after being featured in his content.

Afroman, however, has pushed back strongly — using both his music and public statements to defend his actions and question the legitimacy of the raid.

The situation escalated further when clips surfaced online showing an officer appearing emotional in court, which Afroman has now referenced in his new track — sparking intense reactions from fans.

The release of “Batterram Hymn of the Police Whistleblower” has triggered mixed reactions:

  • Some fans praise Afroman for speaking out and using music as protest
  • Others question the tone and approach of the video
  • Many are debating the line between satire, accountability, and controversy

The artist is also encouraging fans to watch the video and share their opinions:

“Watch it and tell me your favorite part,” he says, directing audiences to the link in his bio.


🎶 Afroman’s Message: Music as Protest

Known for blending humor, storytelling, and social commentary, Afroman is once again using his platform to turn real-life experiences into music that sparks conversation.

With “Freedom of Speech” set to drop soon, the rapper appears ready to double down on his message — using his art to challenge authority, question narratives, and engage his audience directly.


📺 Watch Now

The video for “Batterram Hymn of the Police Whistleblower” is now available on YouTube via OGAfroman.

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March 18, 2026 Nigerian Artists Earn $42M on Spotify as Afrobeats Takes Over the World

Nigerian Artists Earn $42M on Spotify as Afrobeats Takes Over the World

Nigerian Artists Earn $42M on Spotify in 2025 as Afrobeats Dominates — But Ghana’s Influence Continues to Shape the Sound

Nigerian artists generated more than $42 million in Spotify streaming revenue in 2025, highlighting the massive global growth of Afrobeats and African music.

According to the latest Spotify Loud & Clear report, Nigerian musicians earned over ₦60 billion (around $42.9 million) from streams on the platform last year. The numbers confirm how rapidly Africa’s biggest music market is expanding in the global streaming economy.

The report revealed that Nigerian artists were streamed 30.3 billion times worldwide in 2025, accumulating 1.6 billion listening hours on Spotify alone.

More than 1.3 billion listeners discovered Nigerian artists for the first time, marking a 26% increase compared to 2024. The surge reflects the continued rise of Afrobeats as one of the fastest-growing music genres globally.

Over the past two years, revenue generated by Nigerian artists on Spotify has jumped by more than 140%, driven by international demand from audiences in Europe, North America and across Africa.

One of the biggest trends from the report is the rapid growth of independent artists and female musicians in Nigeria’s music scene.

Streams from Nigerian female artists grew by 55% year-on-year, while independent artists saw streams increase by 75%.

Independent labels and artists accounted for 58% of royalties paid to Nigerian artists on Spotify in 2025, proving that the streaming era is giving more power to creators outside traditional record labels.

Inside Nigeria, local music continues to dominate.

Nigerian artists appeared on more than 80% of Spotify’s Daily Top 50 charts, showing strong support from listeners at home.

Local streaming of Nigerian music also surged by 170% year-on-year, confirming the growing influence of homegrown talent.

Spotify also revealed that Nigerian artists appeared in over 320 million user-created playlists worldwide, while more than 12 million playlists were created within Nigeria alone.

While Nigeria is currently leading Afrobeats commercially, the genre’s story is closely tied to the influence of Ghana, particularly through the legacy of highlife music, which helped shape the modern Afrobeats sound.

Ghanaian artists such as Sarkodie, Stonebwoy, and Shatta Wale have played key roles in expanding the genre internationally through collaborations, festivals, and global tours.

Today, both countries continue to drive the global Afrobeats movement.

Spotify’s Managing Director for Africa, Jocelyne Muhutu-Remy, says the numbers show how African music is reshaping the global industry.

“Nigeria’s music story continues to be one of creativity, innovation and global cultural influence. Artists are reaching new audiences around the world while building deeper connections at home.”

Spotify’s Loud & Clear initiative aims to provide transparency around streaming revenue and help artists understand how earnings and fan engagement are evolving in the digital music economy.

African Music’s Global Moment

With billions of streams, rising revenues and expanding international audiences, African music — led by Afrobeats — is now one of the most influential sounds in global pop culture.

And as artists from Nigeria and Ghana continue to push the genre forward, the global rise of African music is only just beginning.

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Stonebwoy, Shatta Wale and Sarkodie Signal Big Year for Ghanaian Music in the UK

London prepares for a summer of Ghanaian music as BHIM Fest heads to the UK and Ghana Party in the Park returns with an explosive 2026 edition.

London, UK — Ghanaian music continues its global rise as several of the country’s biggest stars prepare for major performances in the United Kingdom. With new concert announcements from Stonebwoy and Shatta Wale, alongside a recent London appearance by Sarkodie, 2026 is already shaping up to be a defining year for Ghanaian music across the UK and the wider diaspora.

The growing momentum highlights the expanding influence of Ghana’s music industry internationally, with London remaining one of the most important hubs for African music outside the continent.


Stonebwoy Brings BHIM Fest to London

Stonebwoy has announced that his globally recognised BHIM Festival will be heading to London as part of his “UP & RUNNING” North American tour, marking another major milestone for the award-winning dancehall and Afro-fusion artist.

The announcement follows his successful 2025 concert at the O2 Shepherd’s Bush Empire, where fans packed the iconic venue for a high-energy performance celebrating Ghanaian music and Caribbean-influenced dancehall sounds.

The upcoming BHIM Fest London event is expected to build on that success with an even larger production, bringing together fans from across the UK and Europe. Known for blending live music, guest performances and cultural celebration, the festival has become one of the most anticipated events for Stonebwoy’s global fanbase.

Fans eager to attend can now register for priority ticket access at stonebwoy.live, ahead of the official ticket release.

Another major highlight for Ghanaian music lovers will be the return of Ghana Party in the Park, widely recognised as the biggest Ghanaian outdoor festival in the diaspora.

The popular summer event will take place on 1 August 2026 at Copthall Playing Fields in London.

Each year the festival attracts thousands of attendees who come together to celebrate Ghanaian culture through live music, traditional food, community activities and family-friendly entertainment.

Organisers have already confirmed that dancehall superstar Shatta Wale will appear at the event, promising fans a high-energy performance packed with some of his biggest hits.

With more artists expected to be announced in the coming months, the 2026 edition is already generating excitement among fans across the UK and Europe.

Tickets for the event are currently available through www.gpitp.com

Ghanaian Music’s Growing Global Impact

The upcoming concerts follow a strong start to the year for Ghanaian artists in London. Just last weekend, rap icon Sarkodie delivered a powerful live performance that drew fans from across the UK, further demonstrating the demand for Ghanaian music on international stages.

Over the past decade, artists from Ghana have continued to expand their global reach through collaborations, international tours and festival appearances. Events like BHIM Fest and Ghana Party in the Park have played an important role in connecting diaspora audiences with the evolving sounds of Ghana.

With Stonebwoy bringing his BHIM movement to London, Shatta Wale set to ignite Ghana Party in the Park, and Sarkodie continuing to headline international stages, 2026 is shaping up to be a major year for Ghanaian music in the United Kingdom.

For fans in the diaspora, the message is clear: the global wave of Ghanaian music shows no signs of slowing down.

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March 11, 2026 Tsitsi Returns with Energetic Afrobeat Single “Search”

Tsitsi Returns with Energetic Afrobeat Single “Search”

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Ghanaian Afrobeat and Afropop rising star Tsitsi is set to captivate listeners once again with the release of her brand-new single “Search.” Scheduled for release on March 20, 2026, the track arrives via RKMG Publishing and continues the artist’s growing reputation for blending authentic Ghanaian musical influences with contemporary Afrobeat sounds.

Clocking in at 2 minutes and 51 seconds, “Search” delivers a vibrant and rhythmic listening experience that reflects Tsitsi’s signature style—smooth vocals layered over infectious Afrobeat grooves.

“Search” showcases Tsitsi’s evolving artistry and musical identity. Built on lively Afrobeat rhythms and Afro-pop melodies, the song explores themes of connection, longing, and emotional discovery. Its upbeat production combined with heartfelt lyrical expression creates a track that is both danceable and deeply relatable.

With its rich instrumentation and polished production, “Search” highlights Tsitsi’s ability to fuse modern Afrobeats energy with subtle cultural influences rooted in Ghanaian music traditions.


Born Miss Perpetual Mana Alorgbe and raised in Accra, Ghana, Tsitsi is an emerging Afrobeat artist proudly representing Ghana’s vibrant music culture. Originally from the Volta Region, she began releasing music in 2022, steadily building recognition for her distinctive Afro-fusion sound and authentic storytelling.

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Her music reflects a strong commitment to celebrating African identity and culture. Through each release, Tsitsi continues to connect global audiences with Ghanaian musical heritage while embracing modern Afrobeat production styles.


Following the success of her 2025 single “Honey,” which introduced listeners to her soulful Afrobeat style and romantic storytelling, Tsitsi’s “Search” marks another step forward in her artistic journey. The new release further demonstrates her versatility and determination to leave a lasting imprint on the Afrobeats scene.


With each new release, Tsitsi continues to grow as one of the promising voices emerging from Ghana’s Afrobeat movement. Her dedication to promoting Ghanaian culture through music, combined with her modern Afro-fusion sound, positions her as an artist to watch in the global Afrobeats landscape.

As “Search” prepares to make its debut, fans, DJs, and music lovers can look forward to another captivating track that celebrates rhythm, culture, and the universal emotions that connect us all.

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March 11, 2026 Chymny Crane Announces New Single “Shake It” Following Standout Saminifest Performance

Chymny Crane Announces New Single “Shake It” Following Standout Saminifest Performance

March 2026

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RKMG Publishing artist Chymny Crane is set to release his latest single “Shake It” on March 27, 2026, marking another step forward in the rapper’s rapidly rising career.

The track, released under Huslegang, blends Hip Hop/Rap and Grime, delivering an energetic 3-minute 41-second record that reflects Chymny Crane’s evolving sound and confidence as an artist.

The upcoming release follows Chymny Crane’s commanding performance at Saminifest 2025, one of Ghana’s most respected live music festivals. Taking the stage before thousands of music fans, the rapper delivered a memorable set that earned strong audience reactions and growing industry attention.

Speaking after the event, Chymny Crane described the opportunity as both an honour and an important milestone in his career.

“I really appreciate the opportunity to open an event like Saminifest. It’s a blessing, and I would love to be booked on more events like this.”

His performance at the festival has since been widely viewed as a defining moment—demonstrating his readiness for larger stages and wider audiences.

Chymny Crane also addressed past misunderstandings surrounding his lyrical style, particularly claims that his verses carried negative intent toward Ghanaian rap icon Sarkodie.

According to the artist, those interpretations misunderstood the nature of hip-hop culture.

“There was never any personal feeling or disrespect towards Sarkodie. It was purely the healthy, competitive spirit of hip-hop.”

He emphasised that lyrical competitiveness is a longstanding element of the genre.

“Maybe Sarkodie wasn’t ready to play—and that’s okay. But there was no bad intention from my side.”

Rather than focusing on controversy, Chymny Crane says his priorities are growth, collaboration, and building stronger relationships within the industry.

He revealed that he would welcome the opportunity to perform at Rapperholic, Sarkodie’s annual music event, and even suggested that a collaboration could be beneficial.

“A collaboration would actually be the right thing to do. Music is about building, not tearing down.”

Beyond personal narratives, the artist also raised concerns about how misunderstandings between musicians are handled within the music industry. He believes the absence of structured communication often leaves room for misinterpretation.

“There isn’t enough structure to handle these situations properly. That’s when the media takes advantage and turns things into clickbait.”

Chymny Crane credits Ghanaian music giants Samini and Shatta Wale as major inspirations, pointing to their resilience, longevity, and influence in the industry.

“I see what Samini and Shatta have achieved, and I see myself in that same role when my time is due.”

With the release of “Shake It” approaching and momentum building after his Saminifest appearance, Chymny Crane continues to position himself as an artist focused on substance, performance, and long-term relevance.

As his journey unfolds under RKMG Publishing, many believe that Saminifest 2025 may ultimately be remembered as the moment Chymny Crane truly announced himself as one of Ghana’s emerging voices to watch.

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